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Catalinbread SuperCharged OD


Our Price: $159.99
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Catalinbread SuperCharged OD:
The audio equivalent of a forced induction high displacement big block makes up the heart of the SuperCharged OD's "distortion powerplant". It is designed like a tube amp, fine tuned cascaded gain stages cause the distortion, not diodes. Catalinbread knew they had a winner when it made their 5W 6V6 amp push air like a full stack. This pedal rocks harder than a Heart 8-track in a Hemi Cuda outside of a high school in 1978!

The tone for leads is balanced, focused, and sustains forever. Chords are chunky, tight, and resonant. Turn the GAIN and CONTOUR down for hi-wattage British sounds. Increasing the GAIN brings you into more modern saturation teritories without un-natural compression. Crank the CONTOUR knob and you tighten up the low-end adding the resonance of a sealed 4x12.

The SCOD is capable of huge amounts of output and the gain can be downright METAL. Inspite of this the noise level is remarkably low. The distortion is natural without the buzzy "chopping" or "squaring" of your guitar's signal as often associated with high gain and metal pedals. This means you can play chords with your SCOD and not cause bizarre intermodulation.

Don't be surprised to find your daily 30 minute practice session lasting an hour or more with the SCOD. This pedal is truly inspiring.

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REVIEWS & USER COMMENTS:
HARMONY CENTRAL USER REVIEW:
"This thing will turn a clean channel into a fire breathing tone freak. If ur a rocker then this is a must have pedal, there is nothing else like it. They only way I know how to explain it is a cranked Orange Tiny Terror, a fuzz pedal, and either a supercharger or steroids all combined!!!!! Tons of gain, even metal. If u do not like mids they do not buy this pedal. Its like an Orange amp, tons of mids and cuts thru a mix with ease. This pedal has to be run on a clean channel to sound good."

HARMONY CENTRAL USER REVIEW:
"This pedal is incredibly versatile and you really can't get a bad sound out of it. Minimum gain gives you some light-medium OD; there's a hint of crunch and it's cool for blues. The gain halfway up gives you some pretty thick distortion-type tones, but without the compression of most distortion pedals. It sounds very natural, there's no compression and no nasally qualities like some pedals have. With max'd gain, you get a little bit of feedback and some really cool fuzz tones. It's not exactly a full-on fuzz pedal, but I've used it in place of a fuzz pedal many times with great results. It has amazing sustain at these higher drive settings; you can hold a note for days."

ALL HARMONY CENTRAL USER REVIEWS

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